Graffiti scene with a talking couple and a curious lady.
Jul 8, 2009
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Explorations into the urban character and life of the city of Cluj-Napoca, Romania
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2009
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July
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- Noaptea cade peste Mănăştur
- Biserica Schimbarea la Faţă
- O plimbare pe malul Someşului
- Noi spaţii comerciale în Zorilor
- Plase şi reflectoare la un teren de sport
- De toate în Piaţa Mărăşti
- Biserica de lemn din Grigorescu
- Dezvoltare spre Floreşti
- Figuri la o spălătorie auto
- Faţade pe Iuliu Maniu
- Cafeneaua BT în întuneric
- Case în zona centrală
- Graffiti la trompetă
- Seara pe Calea Floreşti
- Cumpărăm şi flori
- Dealul Cetăţuia dinspre Pţa. Mihai Viteazu
- O poartă sofisticată în Gruia
- Un urs de paie la farmacie
- Balcon în cartierul Grigorescu
- Renovarea grupului statuar din Parcul Central
- Curtea restaurantului Lugano după ploaie
- Magazinul Central renovat
- Acoperişuri în jurul catedralei Sf. Mihail
- Graffiti, discuţie şi curiozitate
- Noua arhitectură comercială înspre Floreşti
- Între Lacuri: loc de joacă pentru copii
- Maşini seara la podul Calvaria
- Noi case în Zorilor
- Instantaneu postcolonial
- Panoramă dintr-un restaurant gol
- O bere elegantă între blocuri
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July
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Cluj is the third big city in Romania considering its population, with a general number of residents & commuters in its metro area of about 400,000.
It is largely known as the capital-city of the historical province of Transylvania - land of medieval citadels, wild crags, caves and forests, and the famous figure of Dracula.
Historically speaking Cluj was settled as a colony by the Romans (Colonia Aurelia Napoca) by the 2nd century CE, from where came the name of Napoca, and thereafter developed as fortress and city by the Hungarians, Saxons and Austrians - which conferred it the cultural, architectural, and urban influences of the multicultural Central Europe. Romanians, who constantly were the dominant rural population around the city, became the city rulers in 1918, when Transylvania became part of Romania, and developed it, especially within the Communist regime, after the 1947, by constructing large industries and working-class neighborhoods.
Along its history, Cluj acknowledged periods of progress and illuminism - sustained by a notable university and the medical and legal centers developed here already since the 16th century - together with warfare, nationalistic and religious troubles and stagnation - due to medieval invasions, far-right politics encouraging hostilities between Magyars and Romanians, and religious tensions between Greek-Catholics and Greek-Orthodoxs.
Today it is considered among the major hotbeds of development regarding the human capital in the region - due to its large number of university students, vibrant culture, safe social and economic environment, and perspectives for further development.
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Makes me want to paint all the walls with more artistic graffiti. No sense whitewashing them — that's too attractive to vandals.
ReplyDeleteScenes from daily life, you've got them all: the nosy neighbour spying on the chat the couple is having, and the graffiti.
ReplyDelete